Skip to main content

Alpha

    I'm guessing some movie producer (or whomever) was looking at his dog and wondering how all this love came to be. Now that, he thought, would make a great movie! Just how did a Homo Sapien become the Alpha leader to a vicious wolf?
    Apparently, you do this by having a mini-group of Paleolithic tribesmen leave their mini-village to travel for weeks (if not months) in search of food, across a totally barren landscape (somehow always finding plenty of firewood), cleverly killing dozens of buffalo, presumably drag back enough unpreserved meat to last the winter, inadvertently leaving one boy to bounce off a 100 foot sheer cliff, set his own leg, fight off a pack of wolves, befriend a fierce adult female wolf, survive after falling into a frozen lake during a blizzard, kill a 300lb prehistoric mountain lion with a homemade arrow, and so on and so on.
        In some respects this was a nicely done film. It had good expression, a stylized suggestion of what Europe might have looked like 20,000 years ago (ridiculously barren but visually impressive), a story of sorts, and a presentation of tribal life that could be understood by children. Maybe it was too much.
    It should have been presented more as a fantasy, like The Jungle Book. It vigorously attempted to be realistic, especially with the subtitles for a patently humorous Upper Paleolithic language (how does ugah-moogha olo yagee boomba somehow translate into the rain in Spain falls mainly on the plain). It and other attempts at realism defied its constant assault on reason. Either make up a whimsical story about a boy and his dog or take the time to research Nature. You can't have it both ways.
    Archeologists have shown domesticated dogs likely existed 15,000 years before the timeline of this movie. By 20,000 B.C. Golden Doodles were probably all the rage. Such assumptions are no less ridiculous than this dog origin story.
    Hopefully, the impact of a film like this will be not unlike that of Conan the Barbarian; primitive entertainment with no connection to human evolution. Sadly, too many will view this film as a reasonably accurate portrayal of prehistoric ages.




4 Stinks 1 Wink

Comments

Popular posts from this blog

Life of the Party

😝😝😝😉😉       This most recent Melissa McCarthy vehicle is just another example of the Peter Principal in play. The Peter Principal , in a nutshell, says that an individual's advancing career often rises to a level of incompetency...more simply put: just because you're good at one thing doesn't mean you'll be good in something related.       McCarthy, at age 48, has grown into a first class comedic actor. She takes a plainly cute pudgy face and a body challenged by gravity and molds them into a variety of roles from male political figures to hilarious debs. However, this movie, her second failed attempt at screenwriting, screams out her limitations. The same is true for the comedic actor Ben Falcone, director and co-screenwriter for Life of the Party.       If you subtract McCarthy from the film you're left with essentially nothing. Nothing funny, nothing clever, no story, horribly...

Deadpool 2

😝😝😝😉😉       If you are the least bit saturated with "action" films then wading into Deadpool 2 will simply leave you ever more damp.       Even with all its campy dialog, humorous one-liners, and clever sub-scenes this Deadpool, more than the first, adds tons of "action" that only supplants what little story there is.       Am I the only one? Whether it's Marvel or DC, as the bodies are being blown up, dismembered, liquidated, or simply punched, I can no longer see how one differs from another. Deadpool and Deadpool 2 come close to satirizing the Action genre, but don't quite get there. There is just as much emphasis on severed hands and heads as John Wick blowing holes in a virtual army of foes. It's just all too numbing.       The writing, on the other hand, is filled with snappy gags (for example comments directed at the theater audience...

Godless

😉😉😉😑😑 On : Netflix Original, Genre : Western, Length : 7 Episodes, If you missed Netflix’s Western mini-series Godless when it premiered last November, as I did, it’s worth a belated discovery. There are so many points of cinematic quality that even when the storyline bordered on the implausible it retained its embrace of dramatic entertainment. Jeff Daniels, who plays the dark and cruel antagonist Frank Griffin, is (as usual) superb. His persona, borne of religious psychosis, sets the stage for a clash of good versus evil that culminates in the final episode. The panorama of landscapes and “Big Sky” made me yearn for extended travel to the West without regard to the story. The role horses played was even endearing. There was little evidence that the producers nickel and dimed their reproduction of the period. Character studies were deftly portrayed by (among others) Michelle Dockery (Downton Abby) and Jack O’Connell, the protagonist, leavi...